I became a mother while a graduate student. Bombarded by societal expectations and advice on pregnancy, childbirth, and motherhood, I quickly combined this life experience with my scholarly interests and wrote a dissertation on Christian women and childbirth. I later began to explore expressions of religion and spirituality outside of traditional religion – a topic that found expression in my book Sacred Pregnancy. I am a professor of American Studies and Religion at Goucher College in Baltimore, MD and have a Ph.D. in Religious Studies from the University of Virginia. I hope you enjoy these books as much as I have!
I wrote...
Sacred Pregnancy: Birth, Motherhood, and the Quest for Spiritual Community
Sacred Pregnancy is part a retrospective on changing paradigms of and feminist discourse on motherhood, part sociological study of changing religious demographics and understandings of religious experience in the United States, and part exploration of the spiritual movements and spiritually guided reproductive health services that bring all these themes together.
Resting on the premise that motherhood in general and pregnancy specifically should not be brushed aside as beneath intellectual inquiry or as settled subjects, Ann Duncan explores a new form of religious community: a growing number of diverse movements that blend business with a spiritual approach to the reproductive health of women.
This book is a classic and essential reading for anyone interested in the evolution of thinking and practicing of childbirth in the United States.
More than that, it makes a compelling argument that birth should be seen as an American rite of passage. Through a history of the development of current norms and rituals of childbirth as a medicalized procedure and comparison of that paradigm to more holistic treatments of pregnancy and birth, Davis-Floyd opens the door to thoughtful and sustained attention to the support and options we provide birthing people moving forward.
This classic book, first published in 1992 and again in 2003, has inspired three generations of childbearing people, birth activists and researchers, and birth practitioners-midwives, doulas, nurses, and obstetricians-to take a fresh look at the "standard procedures" that are routinely used to "manage" American childbirth. It was the first book to identify these non-evidence-based obstetric interventions as rituals that enact and transmit the core values of the American technocracy, thereby answering the pressing question of why these interventions continue to be performed despite all evidence to the contrary. This third edition brings together Davis-Floyd's insights into the intense ritualization of…
Blessed Events started me on my journey to study birth and religious and spiritual meaning making.
In this book, Klassen uses an ethnographic approach to interview a wide spectrum of women who have chosen home birth and understand the act in religious terms. Placing these intimate portraits of women from a variety of religious and spiritual perspectives in the context of religious and medical theory and history, Klassen makes a strong case for birth as a site for religious and spiritual experience.
Blessed Events explores how women who give birth at home use religion to make sense of their births and in turn draw on their birthing experiences to bring meaning to their lives and families. Pamela Klassen introduces a surprisingly diverse group of women, in their own words, while also setting their birth stories within wider social, political, and economic contexts. In doing so, she emerges with a study that disrupts conventional views of both childbirth and religion by blurring assumed divisions between conservative and feminist women and by taking childbirth seriously as a religious act. Most American women who have…
Though not directly engaging with religion and spirituality, this book by Adrienne Rich is a foundational text of third-wave feminism.
In this 1976 book, Rich discusses her own conflicted experience of motherhood as a window into the influence of patriarchy and politics on the institution of motherhood.
Seeing motherhood as a societal institution rather than just an identity, Rich uses her poet’s voice to describe how motherhood as an experience is always directly influenced by the societal pressures, norms, and expectations of the moment.
In Of Woman Born, originally published in 1976, influential poet and feminist Adrienne Rich examines the patriarchic systems and political institutions that define motherhood. Exploring her own experience-as a woman, a poet, a feminist and a mother-she finds the act of mothering to be both determined by and distinct from the institution of motherhood as it is imposed on all women everywhere. A "powerful blend of research, theory, and self-reflection" (Sandra M. Gilbert, Paris Review), Of Woman Born revolutionised how women thought about motherhood and their own liberation. With a stirring new foreword from National Book Critics Circle Award-winning writer…
My book and other books profiled here point to the potential of pregnancy, birth, and motherhood as an opportunity for ritual and meaning making and as lightning rods for societal expectations and norms.
In this powerful book, Roberts takes on the ways in which these opportunities are inequitably available in the United States. With maternal mortality among black women alarmingly high, this book demonstrates that the struggle for reproductive justice must be part and parcel of any rethinking of how we experience and support childbirth in the United States.
Killing the Black Body remains a rallying cry for education, awareness, and action on extending reproductive justice to all women. It is as crucial as ever, even two decades after its original publication.
"A must-read for all those who claim to care about racial and gender justice in America." —Michelle Alexander, author of The New Jim Crow
In 1997, this groundbreaking book made a powerful entrance into the national conversation on race. In a media landscape dominated by racially biased images of welfare queens and crack babies, Killing the Black Body exposed America’s systemic abuse of Black women’s bodies. From…
Hennessey’s book looks directly at how birthing people use specific objects, ritual, poetry, and other aspects of material culture to infuse experiences of birth with ritual and being.
She blends theory with specific and captivating examples to develop a social ontology of birth – in other words, a description of how meaning in birth is created through these objects. What emerges is a striking case for the potential of birth for ritual and meaning and the necessary interweaving of religion, nonreligion, and a sense of the sacred.
Every human being is born and has gone through a process of birth. Yet the topic of birth remains deeply underrepresented in the humanities, overshadowed by a scholarly focus on death. This book explores how imagery is used ritualistically in religious, secular, and nonreligious ways during birth, through analysis of a wide variety of art, iconography, poetry, and material culture. Objects central to the book's study include religious figurines, paintings about birth, and other items representative of pregnancy, crowning, or giving birth that have an historical or original meaning connected to religion. Contemporary artists are also creating new art in…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
Jest established lasting friendships with John Prine, Arlo Guthrie, and others, but ultimately, this book tells a universal story of love and hope – about figuring out where you belong, finding your way there, and living a life that matters.
We Had Fun and Nobody Died: Adventures of a Milwaukee Music Promoter
The entertaining and inspiring story of a stubbornly independent promoter and club owner
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus at UW–Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
This funny, nostalgia-inducing book details the lasting friendships Jest established…
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